Search This Blog

WELCOME TO THE TOWER RECORDS COMMUNITY – George Benson



George Benson (born March 22, 1943) is a multi Grammy Award winning American musician, whose recording career began at the age of twenty-one as a jazz guitarist. He is also known as a pop, R&B, and scat singer. This one-time child prodigy topped the Billboard 200 in 1976 with the triple-platinum album, Breezin'. He was also a major live attraction in the UK during the 1980s. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt.

Early career

Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania. At the age of 7, Benson first played the ukulele in a corner drug store for which he was paid a few dollars; at the age of 8, he was playing guitar in an unlicensed nightclub on Friday and Saturday nights which was soon closed down by the police. At the age of 10, George recorded his first single record with RCA-Victor in New York, called 'She Makes Me Mad'.

Benson attended the Connelly High School although he left before graduation. As a youth, instead, he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. At the age of 21, he recorded his first album as leader, The New Boss Guitar, featuring McDuff. Benson's next recording was It's Uptown with the George Benson Quartet including Lonnie Smith on organ and Ronnie Cuber on baritone saxophone. Benson followed it up with The George Benson Cookbook, also with Lonnie Smith and Ronnie Cuber on baritone and drummer Marion Booker.

Miles Davis employed Benson in the mid 1960s, featuring his guitar on "Paraphernalia" on his 1968 Columbia release, Miles in the Sky. Benson went to Verve Records afterwards. Then, he signed with CTI Records, where he recorded numerous albums with jazz heavyweights guesting to limited financial success. Benson also did a version of The Beatles's 1969 album Abbey Road called The Other Side of Abbey Road, also released in 1969, and a version of "White Rabbit", originally written and recorded by San Francisco rock group Jefferson Airplane, around this time.




1970s and 1980s

By the mid to late 1970s, as he recorded for Warner Bros. Records, a whole new audience began to discover Benson for the first time. With the 1976 release Breezin', Benson began to put his vocal on tracks such as "This Masquerade". He had used his vocals infrequently on songs earlier in his career, notably his rendition of "Here Comes the Sun" on the Other Side of Abbey Road album. Breezin was a significant album in terms of popular music history - the first jazz release to go Platinum and the first indication that something new was about to happen. In 1976, Benson toured with soul singer, Minnie Riperton, who had been diagnosed with terminal breast cancer earlier that year. "This Masquerade" won a Grammy Award for Record of the Year and the live take of "On Broadway", recorded two years later from the 1978 release Weekend in L.A., also won a Grammy.

The first recipient of this stellar team effort was Benson, and the Qwest label's first official release was Benson's breakthrough pop album Give Me The Night. Benson made it into the pop and R&B top ten with the song "Give Me the Night", produced by Quincy Jones having previously been almost unknown to the younger audience. More importantly, Quincy Jones encouraged Benson to search his roots for further vocal inspiration and he re-discovered his love for Nat Cole, Ray Charles and Donny Hathaway in the process influencing a string of further vocal albums into the 90's. Despite returning to his jazz and guitar playing most recently, this theme was reflected again much later in Benson's 2000 release Absolute Benson featuring a cover of one of Hathaway's most notable songs, The Ghetto. Benson accumulated three other platinum LPs and two gold albums. He also recorded the original version of "Greatest Love of All" for the 1977 Muhammad Ali bio-pic, The Greatest, which was later recorded as a cover by Whitney Houston. During this time Benson recorded with the German conductor, Claus Ogerman.



Later and current career

In 1985 Benson and guitarist Chet Atkins went on the smooth jazz charts with their collaboration "Sunrise", one of two songs from the duo released on Atkins' disc Stay Tuned. In 1992, Benson appeared on Jack McDuff's Colour Me Blue album. Benson toured with Al Jarreau in America, South Africa, Australia and New Zealand to promote their 2006 album Givin' It Up. He played during the second Monsoon Cup in Terengganu in 2006 and also Malaysia's 50th Merdeka celebration alongside Jarreau in 2007. In May 2008, for the first time Benson took part in Mawazine Festival in Morocco.

To commemorate the long term relationship between Benson and Ibanez and to celebrate 30 years of collaboration on the GB Signature Models, Ibanez created the GB30TH, a very limited edition model featuring a gold foil finish inspired by the traditional Japanese Garahaku art form. In 2009, Benson was recognized by the National Endowment of the Arts as a Jazz Master, the nations highest honor in Jazz. Benson performed at the 49th issue of The Ohrid Summer Festival in Macedonia on July 25, 2009, and his tribute show to Nat King Cole "An Unforgettable Tribute to Nat King Cole" as part of the Istanbul International Jazz Festival in Turkey on July 27. In the fall of 2009, Benson finished recording a new album titled Songs and Stories, with Marcus Miller, producer John Burk, and session musicians David Paich and Steve Lukather. As a part of the promotion for his recent Concord Music Group/Monster Music release Songs and Stories, Benson has appeared and/or performed on The Tavis Smiley Show, Jimmy Kimmel Live and Late Night with Jimmy Fallon.

He is currently touring and performing in support of his recent release Songs and Stories (Concord Music Group/Monster Music).

Benson will tour throughout 2010 in North America, Europe and the Pacific Rim.




Shop - George Benson

Listen and purchase available George Benson Album Downloads




Video

Memories of Records - Introduction At Age 4

A Little Background Plus+

There is no other way to describe my introduction to music as there is no lead-in, no exciting story to what brought me to that point. My parents bought me and my two older sisters The Beatles “A Hard Day’s Night” 45 (with picture sleeve – now worth up to $150 in mint condition) in 1964 and I never looked back, although there was nothing to look back on. I was 4 or 5 years old and succumbed to my first addiction – music.

I recently found a box of old 45s that were purchased by members of my family throughout the early years. The Beatles were the focus, with a Rolling Stones “Get off of My Cloud” (with picture sleeve – I have seen up to about $75 in mint condition), and some great Motown. Some other 45s included The Jaggerz “The Rapper” (no, this record does not make me a trendsetter – it is not
that kind of Rapper - trust me), The Fifth Estate “Ding-Dong! The Witch Is Dead” (yup, the song from The Wizard of Oz and most likely one of my sisters 45) along with a few from The Monkees. You get the picture.

My passion of music has been passed to my oldest daughter. We talk a lot about what it was like for me growing up a music-fanatic in the 60’s and 70’s, and my continued amazement at kids listening to the same music I did. In a weird sort of analogy, it is the same as me listening to music of the 1920s and 1930s. Fred Astaire? The man could cut a rug but his music? (NOTE: For the purpose of full disclosure I have grown to like the blues, jazz, and classical of that era. Also, for full disclosure part deux, I was shocked when my Dad told me he sold all of his Frank Sinatra stone-cold mint Columbia and Capitol Records-era records for a dime a piece a few years back).

Anyway, this got me thinking. There are several LPs and/or songs that I (for whatever reason) remember purchasing and/or hearing throughout my young life. I thought it may be kinda cool to pass on to you some of them with why I think I remember them. If there is no one out there that could do these fear not, it’s probably very strange - if there is, I would like to read some of your stories.

Here goes:

1964 (age 4)

The Beatles: A Hard Day’s Night b/w I Should Have Known Better (45) Capitol 5222 (Released July 10, 1964)





I thought that we received this as a gift on Easter, but the single came out in July, 1964. So either I am wrong that it was Easter or it must have been 1965. Based on the next record there is no doubt that my Easter recollection is incorrect, because there is no doubt that the next record was received on Christmas 1964.

The Beatles: I Feel Fine b/w She’s A Woman (45) Capitol 5327 (Released November 23, 1964)



The great intros on both sides “I Feel Fine” (sustained guitar note) and “She’s A Woman” (hammering dn-dn-dn-dn-dn-dn-dn-dn. It sounded like an anvil being hit); the great riffs and singing – just what the doctor ordered on a fine, snowy Christmas in Rochester, NY. The fact that the picture sleeve was a great picture from a concert (found out later it is from an August 1964 show in Vegas) with those incredible Vox amps just added to the coolness.

Catching Up On Some Listening - July 21, 2010

Starting something new on this batch of listening…ratings. Kinda interesting coming from one that is not a critic. Oh well…

***** MUST HAVE. Do Not Pass “Go” just get it.
**** EXCELLENT. Listen first then Do Not Pass “Go.”
*** GOOD. Pretty much what I expected. May stay in my rotation for awhile.
** FAIR. Won’t stay on my playlist
* NEVER MIND. In my mind at least FWIW


Well, things have been real busy but had a chance to do a bit of catching up over the past 3-4 days. Some of these fall into the “Not Real New” category, some are new but “hits” or reissues, however, I think you will find enough truly “New” Releases to whet the appetite. Enjoy! ~rf

Sheryl Crow: Sign Your Name ***

Brian Setzer Big Band: Drive Like Lightning (Crash Like Thunder) *****

Marc Cohn: Look At Me **

Brian Culbertson: Feelin' It *** ½

Richard Youngs: The Valley in Flight *** 1/2

Lee Rittenour’s 6 String Theory: Give Me One Reason **** ½

Zero 7: Mr McGee *** ½

Piebald: Fear And Loathing In Cape Cod ****

Lincoln Brewster: Give Him Praise (Featuring Israel Houghton) ****

John McLaughlin & the 4th Dimension: Special Beings **** ½

Philip Glass: Part I – Opening ****

Smokin' Joe Kubek & Bnois King: Have Blues, Will Travel **** ½

The Derek Trucks Band: Key To The Highway (Live) ****

Rush: Caravan ***

Goo Goo Dolls: Iris *** 1/2


WELCOME TO THE TOWER RECORDS COMMUNITY - Tracie Hunter



Tracie Hunter is the daughter of the famous legendary rock artist, Ian Hunter, ex-Mott The Hoople, collaborator with David Bowie, Mick Ronson and a strong solo artist.

Tracie is a self standing songwriter, composer and lead vocalist in her own band, The Tracie Hunter Band, based in London, United Kingdom. She grew up with the music from her father and in close contact to a lot of Ian`s wide range of music friends like the legendary artist, writer, arranger and producer Mick Ronson, who unfortunately died of cancer 29th of April 1993.


Says Tracie “My music genre is rock/acoustic and the songs I have sent you are autobiographical. They always are although sometimes ambiguous. I can`t perform unless I mean it. I have to feel the song. The song “Marylebone” that you point out is a such a simple song that I wrote many years ago. One of the first song I ever wrote…it was a love song…actually it was a lust song.”

Tracie Quotes:


- Mick Ronson was a good friend of mine and i love him dearly….such a gentle lovely talented man…with the power to make everyone smile.

- I always loved music, my fathers music was the soundtrack to my childhood. I was a teenager when I recorded my first demo with my father in his studio.

- I spent many years performing around US & UK with just a guitar or piano, but I have had a full band for many years now.

- Many artist have influenced me, not least my father, Rolling Stones, Elton John, The Faces, Chrissie Hynde, Annie Lennox, Steve Tyler….it goes on…I love great vocals…vocals with character. I`m loving Amy Winehouse, it`s apart from the crown.- I perform in USA with Steve Tyler, got on stage & did BV`s for him, I love him!! He’s a legend.




Comparisons don’t come easy when describing Tracie Hunter as she and the band produce such gutsy rock music with a sound that has great style and groove. Tracie’s vocals are unmistakable with character and passion dripping from every note, bringing to life the emotional lyrical content at the heart of every song.

The band released their second album last year Screaming Superego, tracks of this album are receiving airplay all over the world and have been on rotation on several radio stations including Sirius (USA), NRK (Norway), Radio Caroline, Planet Rock, Total Rock and BBC. Rick Wakeman has called Tracie “One of the most talented and underrated UK female Singer/songwriters.” The band are currently writing their 3rd album and hoping for a release date in Autumn 2010.

The Tracie Hunter Band have toured the UK many times as a headline act, and have also played gigs and festivals in Paris, Sweden, Norway, New York and Boston-Tracie has provided BVs for Mott The Hoople, Ian Hunter, Joe Elliot, Midge Ure, Gary Kemp, Later with Jools Holland, Ginger Wildheart, Steven Tyler and Glen Matlock on various recordings and TV/live performances.




What Angie Bowie says about Tracie:
Tracie Hunter is the child of Rock n Roll and 21st Century Country & Western. She interprets women’s anxiety and heartache with the same ease as she sings LOUD SHOCK ROCK! YELLOWBELLY, KING OF RAIN and NOW I’M GONE are haunting love songs of loss and disappointment. They are so good they make you hurt. King of Rain or prince of tears! A lament “Down on my knees, he’s the king of the rain…” A strong religious undercurrent sets up Tracie’s deft song writing.

Ballads are big and bold songs like SEE YOU AGAIN and BROKEN… I love this song - “Now and then I just don’t know myself, I’m broken at the seams. Now and then I lose myself; now and then I just don’t know myself…” The lady is talented and wonderful to watch.~ Angie Bowie






Review of Screaming Superego:

THERE’S a curious tainted glow to Screaming Superego; a first hearing finds it relatively easy listening, yet consecutive plays intriguingly unveil Tracie’s tangled web of emotions.

Some of the lyrics are almost a peek into what could be randomly scrawled diary entries, which ultimately give this collection of heart (and mind!) felt songs their foundation. A brave and subtle production, too, allowing Tracie’s creamy and emotive vocals to swirl to the fore.

Highlights are the sultry yet unhinged “Broken,” and the mysterious and indecisive “Save Me” where our Trace mind-f***s with, “I need for you to leave so I know that I need you” Priceless.

Like a jar of honey with a tiny sliver of broken glass lurking somewhere in its contents, Screaming Superego slides down well, but you better be paying close attention. Mmm. Ouch.
~Ray Zell, Kerrang

Listen to Screaming Superego and purchase downloads by song or the entire album:


WELCOME TO THE TOWER RECORDS COMMUNITY – Richard Williams (Kansas)

Rich Williams (born February 1, 1951 in Topeka, Kansas, U.S.) is the guitarist for the rock band Kansas, and has been with them since their 1974 self-titled debut album. Rich lost his right eye when he was a pre-teen. He wore a prosthetic eye for many years, but now wears an eye patch instead.

In the beginning, Williams shared guitar duties with keyboardist/guitarist Kerry Livgren. Livgren was also Kansas' chief songwriter. In the late '80s, Williams shared the stage with guitar virtuoso Steve Morse. Years later, after some personnel changes in Kansas, Williams found himself as the only guitar player. While Livgren's sound could be described as virtouisic and bright, Williams style was well balanced with his melodic and mellow sound. Williams and Phil Ehart are the only two members of Kansas who have never left the band, and have been present for all Kansas albums to date.




Among the songs he co-wrote with the band are "Can I Tell You", "Don't Open Your Eyes" and "No Room for a Stranger."

Ever since the release of the band's debut album in 1974, Rich Williams has been the Kansas lead guitarist. He is still with the band today, maintaining a full time tour schedule in the US and abroad.




Shop - Kansas

There’s No Place Like Home (DVD)


“Like” Tower Records on Facebook

Listen and purchase available Kansas Album Downloads



Kansas Tracks: KANSAS / SONG FOR AMERICA

MASQUE / LEFTOVERTURE



POINT OF NO RETURN / MONOLITH



AUDIO-VISIONS / VINYL CONFESSIONS



DRASTIC MEASURES / POWER



IN THE SPIRIT OF THINGS / TWO FOR THE SHOW [LIVE] / SOMEWHERE TO ELSEWHERE [LIVE]



VIEW KANSAS